Corporate literature
Annual reports, company profiles, technical catalogues and sustainability reports.
Bulk printing, packaging and advertising for businesses in Vikhroli. Around 22 km from our Koparkhairane press.
Vikhroli holds one of Mumbai's most established industrial and corporate campuses alongside newer business parks on both sides of the Eastern Express Highway, with engineering, consumer goods, real estate and IT tenants. It is a corporate-campus market rather than a shopfront one.
Campus buyers order differently from shopfront buyers. The requirement usually arrives as a specification rather than an idea, it involves more than one approver, and it has to fit a system that already exists - a signage standard, a brand manual, a document format. The job is less about invention and more about fitting in precisely.
The buyers we deal with in Vikhroli are Corporate campuses and business parks, engineering and consumer-goods companies, real estate developers, IT firms, and facilities and services contractors.
That mix is why we quote printing in bulk and wholesale runs rather than by the piece: the businesses here order the same material again and again, and the price only makes sense at volume. Advertising and design work — campaigns, identity, artwork — carries no minimum at all, so a single brief is perfectly normal on that side.
Produced on our own press, so one team is answerable for the idea and the finished piece.
Annual reports, company profiles, technical catalogues and sustainability reports.
Wayfinding, safety signage, department boards and internal branding.
Employee communication, notice and campaign print, event branding.
Cards, letterheads and forms printed across departments as one run.
Wayfinding, department, safety and statutory signage produced as one system with a survey before production.
Annual, technical and sustainability reports produced to an existing house format.
Including the agrochemical and agri-input brands that make up most of our long-standing client list.
Labels, cartons, multi-language farmer leaflets and dealer material.
For campus work we would rather survey the site than quote from a drawing. Measuring before printing costs a morning; reprinting a signage set costs considerably more.
Around 22 km from our press, which makes site surveys for signage practical before anything is produced.
Quotes for bulk work come back within 24 working hours, priced for the run you asked about and the next slab up. Artwork can come from you or from our studio; either way you see a proof - digital, and physical for packaging - before anything goes on press.
Vikhroli has been changing for two decades. The Godrej estate and the older industrial belt on the east still hold manufacturing, engineering and warehousing, while the corridor along the Eastern Express Highway has filled with corporate offices, technology parks and the services businesses that follow them.
That gives it an unusual print profile: genuinely industrial demand - labels, packaging, technical literature, site and safety signage - sitting alongside genuinely corporate demand for profiles, event branding, interior branding and gifting.
Being on the Eastern Express Highway also makes it one of the easier suburbs for us to reach, which matters for work that involves site visits and installation.
The manufacturing and engineering base here prints the same categories as any industrial estate: product and rating labels, cartons and printed outers, shipper marks, technical literature, installation manuals, test certificates and warranty cards.
The specification questions are durability and legibility. Rating labels want polyester or metallised polyester, sub-surface printed so the image cannot be abraded off a machine that will be wiped down for years. Cartons want board and flute chosen for the stack. Manuals want a stock that survives oil and hands and a binding that lies flat next to the equipment.
Certificates and warranty cards need controlled numbering, which is variable-data work.
Reprints of technical documents are usually revisions rather than repeats, so a retained, version-marked master saves more over a few years than any per-piece saving.
The corporate side of Vikhroli wants what corporate offices everywhere want, with one difference: many of these are the head offices of companies whose plants are elsewhere, so the print has to represent operations the reader will never see.
That makes company profiles, capability documents and photography unusually important. Real photography of your own plant and product is worth considerably more than stock imagery, and it is work we do in-house.
Then the ordinary corporate set: stationery, folders, pitch documents, event and townhall branding, reception and interior branding, and gifting.
Where a company has both a plant and an office, keeping their print on one artwork set is what stops the factory signage and the corporate brochure looking like two different companies.
Industrial sites here need the physical print that makes a facility legible and safe: gate and identity boards, department and direction signage, safety and hazard signage, notice boards, and floor and bay marking in warehouses.
Safety and hazard signage follows the standard your EHS team specifies. Our job is to print it correctly, at the specified sizes and colours, on material that survives the environment - which for an industrial site usually means ACP rather than vinyl on a wall.
Identity signage is where a bit of design attention pays, because a gate board is the first thing every visitor, customer and candidate sees.
We measure on site, produce here and install. Sight-lines and mounting surfaces are not visible on a plan.
A large share of the print we produce for Vikhroli businesses depends on photography, and the quality of the photography decides the quality of the print more than any paper choice does.
Packshots on a clean background for catalogues and datasheets. Product-in-use photography where the application needs explaining. Plant and process photography for capability documents. Team and facility photography for a profile.
Doing it in-house means one image set feeds the catalogue, the leaflet, the website and the exhibition panel, at consistent colour and quality - rather than three shoots at three colour temperatures that never quite match.
It also means the images are yours and are handed over, rather than licensed for one use and re-licensed later.
For rating and identification labels, polyester or metallised polyester, sub-surface printed. For product labels, face and adhesive matched to the container and the storage.
For cartons, board and flute chosen for the stack and transit; for technical manuals, a stock that takes handling and a binding that lies flat.
For corporate documents, coated art paper with a matt laminated cover on anything kept; uncoated with weight where the piece wants to read as considered.
For site signage, ACP with printed vinyl faces and protected fixings, rather than material chosen for a quote rather than for a decade outdoors.
Industrial labels and packaging run offset at volume and digital where there are many SKUs in modest quantities - a common shape when a company makes a wide range.
Technical documentation is usually digital because runs are short and revisions frequent. Certificates and numbered items are digital by necessity.
Corporate documents in the hundreds are digital; campaign and catalogue work in the thousands is offset.
Signage is large-format with a fabrication and installation component. Having all of it in one place is why a company's factory signage and its brochure can be made to agree.
Vikhroli is about 25 km from our press by the Eastern Express Highway and the Airoli bridge, and it is one of the more predictable runs in the city outside peak hours.
That makes site visits, measurement and installation practical rather than expensive, which matters for signage and interior work more than for print.
Deliveries into industrial premises are scheduled against your receiving hours; deliveries into corporate buildings are arranged with a named recipient and a window.
Ghatkopar, Bhandup, Powai and Kurla are served on the same corridor.
For industrial print: material and run length, with tooling for die-cuts amortising across reorders.
For technical documentation: set-up and revision handling rather than print - which is why a retained, version-marked master is the cheapest thing you can own.
For corporate work: material, finishing and photography, where photography is an investment that is reused rather than a per-job cost if the images are yours.
For signage: material and installation, with installation the larger half at height or across a large site. Everything itemised so quotes compare honestly.
Quote within 24 working hours. Proof in 2-3 working days. Digital production 3-5 working days after approval; offset 5-10; packaging with a dummy adds a couple of days.
Photography needs scheduling with your site or product availability and typically adds a few days before artwork can begin - which is why it is worth commissioning ahead of a catalogue deadline rather than during it.
Signage production is quick; installation depends on site access, height requirements and when the facility can accommodate it.
If a date cannot be met, you hear it at the quote.
An engineering or manufacturing business accumulates a documentation set - manuals, datasheets, installation guides, test certificates, spare-part lists - and over a few years it usually stops being a set and becomes a pile of unrelated files.
The symptoms are recognisable: three versions of the same datasheet in circulation, a manual referencing a part number that changed, and nobody able to say which PDF is current.
The fix is dull and effective. One master per document, a version and date printed on the piece itself, reprints handled as revisions against the current approved copy, and the masters held in one place. That turns a reprint into an edit and makes it possible to answer the question of which version a customer has.
It costs a day of setting up and saves considerably more than that in the second year.
Manufacturers here often have wide product ranges - dozens or hundreds of variants - and that shape changes what the right print process is.
Many SKUs in modest quantities is the classic case for digital: no plate cost per version, so twenty labels of five hundred each is not twenty set-ups' worth of expense. Offset takes over when a single variant runs into the tens of thousands.
The bigger lever, though, is artwork structure. A range built as one artwork family with the variant content as data is dramatically cheaper to maintain than a hundred separate files, and it makes a range-wide change - a new logo, a revised warning, a changed address - one edit rather than a hundred.
That structure is worth setting up before a range grows rather than after, though it can be retrofitted.
Industrial exhibitors have a specific problem: the product is often too large, too heavy or too unglamorous to bring, so the stand has to do the explaining.
That makes graphics and collateral carry more weight than in consumer categories. Cutaway and process graphics, clear application photography, and datasheets that answer an engineer's questions do more than a large logo does.
The set is otherwise standard: panels, fascia, product display, standees, catalogues, datasheets, folders and a giveaway - produced as one set from one artwork family so it reads as one company.
Send the stall dimensions and the build slot first. And bring more datasheets than feels necessary; they are what leaves with the visitor.
For labels: adhesion tested on the real substrate rather than on a clean sample, abrasion checked for anything that will be wiped down, and scannability checked with the kind of reader that will actually be used.
For cartons: a folded, filled sample checked for erection, flap fit and stacking, before a run rather than after.
For documentation: content checked against the approved source, tables and part numbers verified rather than assumed, and version marks present.
For signage: legibility at viewing distance, and mounting checked against the surface it is actually going on.
For industrial print, send a sample of the current item and tell us what it goes on, what it goes through, how many and how often. Twenty minutes of that produces a quote that survives the job.
For documentation, send what exists even if it is in poor shape. Rebuilding a set cleanly once is a small project with a long payback.
For corporate work, tell us what the piece has to achieve and who reads it - and if photography is needed, commission it before the deadline rather than during it.
Quotes come back within 24 working hours, itemised. Being 25 km away on a predictable road means site visits, measurement and installation are practical rather than expensive.
Yes - wayfinding, safety and department signage produced as one system so a campus reads consistently.
Yes, printed as a single batch across departments, which is the only reliable way to keep it matching.
Yes, offset printed with controlled colour and the finishing the document deserves.
Yes - and we would rather have the manual than a reference image. If a specification exists, we print to it.
For anything more than a few pieces, yes. It is twenty minutes away, and measuring first avoids reprinting later.
Yes, printed as one batch across departments so it matches by construction.
Yes, in-house. One image set then feeds the catalogue, the leaflet, the website and the exhibition panel at consistent quality - and the images are yours.
Yes - polyester or metallised polyester, sub-surface printed so the image sits under the face and cannot be abraded off.
Yes, and it is usually an artwork problem rather than a design one. One retained artwork set across both is what keeps the factory signage and the corporate brochure agreeing.
Yes - measured on site, produced here, installed. Sight-lines and mounting surfaces are not visible on a plan, so we would rather visit.
About 25 km by the Eastern Express Highway and the Airoli bridge - one of the more predictable runs, which makes site visits and installation practical.
No - it is one artwork family with the variant content as data, which makes a range-wide change one edit rather than a hundred. Printing is usually digital at those per-variant quantities.
Yes, and it is mostly process rather than design: one master per document, a version and date printed on the piece, and reprints as revisions against the current approved copy.
Let the graphics and collateral explain it - cutaway and process graphics, application photography, and datasheets that answer an engineer's questions. And bring more datasheets than feels necessary.
Yes, on the real substrate rather than a clean sample, plus an abrasion check for anything that gets wiped down and a scan check with the reader that will actually be used.
Same press, same quality, delivered across the region.
Send the product and the quantity, or the campaign brief. Bulk quotes come back within 24 working hours.