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Advertising

What an advertising agency does for a manufacturer

Most descriptions of agency work are written for consumer brands. If you make components, chemicals or industrial products, almost none of it applies.

The consumer model does not transfer

Read any description of what an advertising agency does and it will describe a consumer campaign: a big idea, a film, a media plan, a burst of awareness. That model exists because it works for products bought by millions of people on impulse.

A manufacturer's product is bought by a purchase manager, a distributor or a specifier, after comparison, often after a site visit. Awareness is not the constraint. Being credible, being findable and being easy to buy from are.

So the work looks different, and an agency that only knows the consumer model will sell you the wrong thing enthusiastically.

What it actually consists of

Positioning. What you are for, who you beat, and on what. For most manufacturers this is genuinely unclear even internally, and everything downstream is vague until it is settled.

The proof set. Catalogues, technical literature, case studies, application notes, certifications - the material a specifier reads before shortlisting you. This is where most of the budget should go and where most of it does not.

The trade layer. Dealer and distributor material, counter and shop branding, price lists and incentive material. If you sell through a channel, this is where the campaign is won or lost.

Presence. Exhibitions, site and factory branding, vehicle branding, and the physical things a visitor or a customer sees.

Identity discipline. One logo, one colour, one set of artwork, applied consistently. Unglamorous and worth more than a campaign idea to most manufacturers.

Where the money usually goes wrong

The most common misallocation is spending on reach and skimping on proof. A manufacturer with a beautiful brand film and a five-year-old catalogue with the wrong phone number has it exactly backwards.

The second is treating each piece as a separate purchase. A catalogue from one supplier, a dealer board from another and an exhibition stand from a third produces three versions of your brand, and everybody involved can see it.

The third is under-investing in photography. Almost every piece a manufacturer produces depends on images of the product or the plant, and stock photography of somebody else's factory fools nobody.

How to tell whether it is working

Not by awareness surveys. By enquiries, by their quality, and by how far into the buying process they arrive.

A useful measure: how many enquiries arrive already knowing what you make and roughly what it costs. That number goes up when the proof set is good and the positioning is clear, and it is the difference between a sales team qualifying leads and a sales team explaining the basics.

The other useful measure is dealer behaviour. When trade material is right, distributors ask for more of it. When it is wrong, it sits in a storeroom, and nobody tells you.

What we do and do not do

We do strategy, creative, identity, campaign development, outdoor and hoardings, dealer and retail branding, exhibitions, photography, and all of the print and production that carries it. There is no minimum on the advertising side.

We do not buy media, and we do not run performance marketing. If a brief needs those, we will say so rather than take it and subcontract it quietly.

The printing is done here, on our own press, which is why a leaflet and the dangler beside it carry the same red.

Need this done rather than read about?

We run the studio and the press ourselves. Send the job and the quantity, or the campaign brief.

Get a quotePrinting: bulk and wholesale quantities. Advertising and design: no minimum.