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Signage & Display

Exhibition stall printing: a timeline that works

The hall date is the one deadline nobody can renegotiate, so it should be the first thing in the plan rather than the last.

Plan backwards, always

Every exhibition plan that fails was built forwards - artwork when it is ready, print after that, delivery after that, and the hall date treated as an outcome instead of a constraint.

Start from the build slot and work back. The dates that fall out are the real dates.

Four weeks out: the plan

Stand size and layout confirmed, panel and fascia dimensions from the organiser, and the exhibitor manual read - not skimmed. Halls have rules about heights, hanging, fixings and materials, and finding one late is expensive.

Decide at this point what the stand actually has to do: demonstrate, display, host meetings, or collect leads. It changes the design.

Two weeks out: artwork finished

Finished artwork at the right size and resolution for each panel, proofed and signed off. This is the last comfortable moment.

Delegate material - folders, inserts, badges, giveaways - should be settled here too, because it is the part that gets forgotten and then rushed.

One week out: printed and packed

Panels printed, finished and packed to be installed rather than unpacked and sorted. Anything that needs assembly should already be assembled.

Changes after this point are possible but they cost, and they cost more each day.

Build day: delivery to the slot

Delivered against the build slot, not to an office. Someone who knows the layout should be reachable, because something always needs a decision on site.

What to do when the date is already tight

Say so at the start, and ask the printer to tell you the real cut-off rather than an encouraging one. A stand that was planned smaller and finished is better than one that was planned fully and is half-built on the morning.

A printer who owns their press can move their own schedule for you. One who subcontracts has to ask somebody else to move theirs, and that is a different kind of promise.

Read the exhibitor manual early, properly

Every hall publishes rules on structure heights, hanging points, fixings, permitted materials and what may be attached to shell scheme panels. They are dull and they are enforced.

Finding at four weeks that your design needs hanging signage the hall does not allow is a design revision. Finding it on build day is a stand that does not go up.

Order the giveaways first, not last

Printed panels can move fast. Branded merchandise often cannot - it may be sourced, produced and shipped, and that chain is longer and less forgiving than printing.

If the stand includes giveaways, they should be decided and ordered before the graphics, which is the opposite of how most stands are planned.

Pack for installation, not for transport

Material that arrives correct but unsorted costs an hour of build time working out what goes where. Panels labelled by position, kits per station and an install sheet in the box turn that hour back into setup.

On a build day that is not a nicety.

Plan the reprint you hope not to need

Something usually needs replacing - a damaged panel, a last-minute name change, a sponsor added. Knowing in advance who to call and what the same-day options are is the difference between a fix and a gap on the stand.

It is worth agreeing that before the event rather than discovering it during.

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